PBS' Frontline makes new hires including Disney's Marjon Javadi — via @Deadline
View on X →Representation for authors, screenwriters, and the people whose true stories become books, films, series, and podcasts.
Queries are opened only with a signed Submission Release attached — PDF · Word. Sign it, then send it with your query →
If you have a true story, a book, a podcast, or a docuseries idea — or you hold life-story rights, your own or someone else's — the smartest first step is understanding what you actually have and how the market for it works. In a private, one-hour phone call with Matthew Valentinas, you'll discuss how Mom's Basement Management may represent you; the IP strategy for your material — how your intellectual property can be protected, positioned, and moved across formats, from page to podcast to screen; how your rights could be developed, packaged, and brought to market; and how that process works from first conversation to signed deal.
There is no obligation and nothing you need to prepare. Many clients have resulted from this first call — people who were unsure what their story was worth, cautious about the industry, and glad they asked. You'll come away knowing where you stand, what your options are, and what a smart next move looks like.
Payment must be received in advance of the phone call and is nonrefundable. Once payment is received, a call time will be confirmed.
PAYMENT —
Venmo: @Matthew-Valentinas ·
PayPal: MatthewValentinas@gmail.com ·
Zelle (via your banking app): MatthewValentinas@gmail.com ·
Bank transfer details on request
Professional script coverage from a manager and entertainment attorney who reads material the way buyers do. One price, no menus — and every option includes a phone call.
All services are prepaid and nonrefundable. Turnaround time begins once payment has been received and confirmed.
PAYMENT —
Venmo: @Matthew-Valentinas ·
PayPal: MatthewValentinas@gmail.com ·
Zelle (via your banking app): MatthewValentinas@gmail.com ·
Bank transfer details on request
"Helping creators, innovators and businesses realize their ambitions."
Matthew is Of Counsel at Sennott Williams & Rogers LLP, a Boston firm at the intersection of media, entertainment, and technology law. There he handles transactional entertainment matters for authors, screenwriters, directors, producers, production companies, publishers, comedians, broadcasters, actors, podcasters, and radio and television personalities — production counsel, book-to-film agreements, publishing contracts, talent agreements, financing, and corporate filings.
Legal services → Matt at Sennott Williams & Rogers
For many artists, the most practical first step is an hour on the phone with an entertainment attorney. A one-hour consultation lets you walk through your specific project — what it is, where it stands, and what kind of help it may need — before committing to anything more.
You may email questions or concerns in advance to Matt@sennottwilliams.com, along with the times you're available, if you'd like the call to follow a focused agenda — but it's not required. Once the $495 consultation fee is received, Attorney Valentinas will confirm a convenient time for your call. Afterward, you can engage further services or take time to work things through on your own. For artists on a limited budget, this single hour is often the most economical way to find out what you can do yourself — and where an entertainment attorney can help you moving forward.
The consultation fee is payable in advance and is nonrefundable.
PAYMENT —
Venmo: @Matthew-Valentinas ·
PayPal: MatthewValentinas@gmail.com ·
Zelle (via your banking app): MatthewValentinas@gmail.com ·
Bank transfer details on request
Submission services, screenplay and manuscript coverage, and hands-on work shaping the book proposal — so your material reaches publishers with the strongest possible case for yes. Material is positioned with publishers, production companies, networks, and studios.
Sourcing and representing life-story rights, estate rights, and undervalued or undiscovered intellectual property — biography, true crime, and history that can carry a broader commercial market.
The production arm. Mom's Basement Media packages and executive-produces films, series, documentaries, and podcasts built on rights the company has acquired or represents.
Matthew Valentinas is an entertainment lawyer and literary manager. He has worked in creative and business roles in the entertainment industry in New York and Los Angeles since 1995 — with talent agents and producers, covering acquisitions for an independent film distributor, and in business affairs for international sales agents and Sony Pictures Entertainment.
He returned to his native Boston in 2009, founded the Law Office of Matthew Valentinas, and established Mom's Basement Management to manage writers, directors, and producers. His focus is sourcing and exploiting life rights, nonfiction stories (including true crime), and undervalued intellectual property with commercial upside — then positioning that material with publishers, production companies, networks, and studios, and packaging and producing motion pictures, television, documentaries, and podcasts with independent financing.
As a producer, he conceived and produced the documentary An Open Secret (2014, dir. Amy Berg). He speaks regularly at colleges, film festivals, and law schools, and has been interviewed by The Hollywood Reporter, NPR, and The Boston Globe.
Management clients get a manager who can also read the deal. Legal clients get counsel who knows how the material actually gets sold.
Partial roster, drawn from public records. Additional clients and current projects are listed with their permission.
Film and television rights represented by Mom's Basement Management. Status is current as of this posting — email Matt for availability, options, and materials.
Great material, teed up for the right producing team: manuscripts awaiting a publisher; pitch concepts for film, television, and docuseries; sizzle reels and audio and video teasers for projects in development; and prior articles and source material tied to unproduced works. Full material is sent on request — and if something catches your eye, it can move quickly.
Live coverage, straight from the wire. Each name below opens today's Google News results for that client — always current, updated by Google around the clock.
Matt posts on X about the business of film, publishing, and true crime — what's getting made, who's getting hired, and what's worth your evening. A few recent posts are here; the full feed lives on X.
PBS' Frontline makes new hires including Disney's Marjon Javadi — via @Deadline
View on X →Why Hollywood isn't collapsing.
View on X →Best writing & acting on an HBO show since the original True Detective series.
View on X →Northeastern climbs in U.S. News ranking — well deserved. In the years I have been talking there I have seen amazing growth in the students & the campus. via @BosBizJournal
View on X →Definitely my favorite directing shot ever. And he was doing this with the basics only. Amazing.
View on X →Clicking opens your email app with the address filled in. No email app on this device? and use whatever you like.
Mom's Basement Management reads unsolicited screenplays, manuscripts, and proposals only with a signed Submission Release and completed Schedule A. Download it, sign it (electronic signatures are fine), and attach it to your query. Queries without a signed Release are not opened.
In no particular order · titles link to IMDb
Every Tuesday, Mom's Basement Management names the highest-scoring screenplay or teleplay read that week — Tuesday to Tuesday — out of everything that came through our query process that week. We'll post the title, the writer, and a one-line logline here, and may also share it on X to help give the writer's work a little extra visibility, even on scripts we aren't representing. Submitting your material to MBM means you're included automatically — see our Submission Release Agreement for the exact terms.
We can't promise a new Screenplay of the Week every single week — it depends entirely on what comes in, and we hold a quality bar — but we'll always do our best to spotlight something worth your attention from what we receive.
by J.R.S. Wilde (pen name of J.J. Michael Johnson)
When a pharmaceutical giant quietly rations the only drug keeping a chronic, blood-borne virus in check, a Boston caseworker and her sister on a storm-isolated island race a hurricane to get life-saving medication to patients the company has written off.
No script cleared our scoring threshold to be named Screenplay of the Week for every week in between — that's intentional; we'd rather skip a week than feature something we wouldn't stand behind.
Each year, starting January 1 and ending December 31, we track every script we read and, at year's end, name the single highest-scoring submission of the year our Screenplay of the Year. That writer will be offered a complimentary one-hour consultation with Mom's Basement Management, and the opportunity — entirely at the writer's option — to be represented by MBM, should they so choose.